Due to her early association with Aphrodite in the interpretatio graeca, it is hard to establish what characteristics the natively Italic Venus may have had. Ushas is linked to Venus by a Vedic Sanskrit epithet ascribed to her, vanas- "(female) loveliness; longing, desire", which is cognate with Latin Venus (Proto-Indo-European root *wen- "to desire").
In the interpretatio romana of the Germanic pantheon during the early centuries AD, Venus became identified with the Germanic goddess Frijjo, giving rise to the loan translation "Friday" for dies Veneris. The historical cognate of the dawn goddess in Germanic tradition, however, would be Ostara.
Venus became a popular subject of painting and sculpture during the Renaissance period in Europe. As a "classical" figure for whom nudity was her natural state, it was socially acceptable to depict her unclothed. As the goddess of sexuality, a degree of erotic beauty in her presentation was justified, which appealed to many artists and their patrons. Over time, venus came to refer to any artistic depiction in post-classical art of a nude woman, even when there was no indication that the subject was the goddess.
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